wisdom of clouds III
The thesis: the world is cloudier
proposition 1: there are more people, objects and ideas
subproposition 1.3 there are more ideas
There are more ideas? What a ludicrous proposition.
For one thing, it’s impossible to test. Actually, it’s impossible to
think. What is an idea? What’s an idea part, what’s an idea whole? How
many “ideas” exist in Pirates of the Caribbean? How many ideas are
there in the average email or telephone conversation? How would we
count them even if we could identity them. It’s a completely jello-y
problem, fraught with difficulty, and several times on
the train back from Cambridge, I found myself thinking, "it's a very
bad idea to say that there are more ideas.How would we know?”
Intuitively, the idea holds
some appeal. There appears to be absolutely and proportionally more
art, music and film in the world. Books continue grow in number. The
corporation is now committed to innovation as Job 1 and this makes it a
fountain of ideation. The
internet is yet another fountain. Intuitively, it looks like there
are more ideas. I found one hard number, and it was encouraging.
International copyright applications from developing countries rose
from 680 in 1997 to 5,359 in 2002.
Let’s begin. (I must ask the
philosophically squeamish to look away. I
would like to think that what follows is rough carpentry, crudely executed but not
ill formed. But I know that no one with philosophical training will
share this opinion.) Let’s begin by saying that by “idea” we mean an
assertion that posits something technically intelligible and socially
admissible. So, “Green ideas sleep sleep” fails the first test. “Green
ideas sleep furiously” satisfies the first test (it’s intelligible) but
fails the second (it’s not admissible). “Boston is wasted on the
Bostonians” satisfied both. We might not “see” what it means but we
recognize it as an assertion on which further scrutiny would probably
not be wasted. (I realize my idea of “idea” begs many questions, but
bear with me.)
It is not unusual for someone
on the blogosphere to tell us “my car wouldn’t start this morning.”
This is technically intelligible, socially admissible, but trivial. It
might be true. It might be false. We don’t care. So by “idea” we mean
an assertion that posits something technically intelligible, social
admissible, and provocative of an interest in contestation. By this
definition, “Raiders suck,” “Lost is a good TV show,” or “Dennis Kucinich is wrong for president,” are all ideas we care about.
Actually, we are looking
not for any contestation; we are looking for rich contestation.
“Raiders suck” invites “Forty-niners suck” (or “Bite me”) and that’s
the end of the “conversation.” “Dennis Kucinich is wrong for president” can
be answered with “bite me” but something more thoughtful is not
inappropriate. Indeed, the relatively mild tone of the assertion calls
for something more thoughtful. I’m not saying “Raiders suck” is not an
idea. I am saying “Dennis Kucinich is wrong for president” is, for our
purposes, more idea-ish. Ideas that invite detailed explication and
rebuttal so qualify.
There’s one last condition.
(Thank you for bearing with me this far. You qualify for hardship, if
not danger, pay. Mrs. Burton will give you a voucher as you leave.)
Ideas can be provocative without being illuminating. Chances are, ideas
that merely provoke a reaction are more likely to confirm old ideas
than introduce us to new ones.
Anna Nicole Smith embodied America. She embodied its bounty as well as its overabundance; its exploitability, and its propensity to exploit. She embodied, also, its litigiousness, its enterprise, its universal offer of the chance to remake oneself (Gatsby did it one way, Anna Nicole Smith did it another).
This is Tunku Varadarajan
suggesting that some of the properties of a celebrity might be thought
of as properties of the U.S. This is illuminating because it helps me
see something I could not otherwise see: that Smith’s tragedy is an
American story or that America is in some respects Smith-ish. (I
understand that that this idea is strictly speaking a metaphor, an idea
expressly designed to be illuminating. I mean to include also
statements of fact, things like “the average American house went from
1,660
square feet in 1973 to 2,400 square feet in 2004” which illuminates
both culture and commerce.)
Ok, so, by “idea” we mean an
assertion that posits something technically intelligible, social
admissible, provocative of an interest in contestation, and possessed of real candle
power (illumination). Again, I know I've made lots of perilous
assumptions, but, hey, as long as it gets us over the ravine of
ignorance, even a rickety bridge will do. (I will ask readers to move
in single file. And, Steve, no swaying!)
Ok, now we have an idea of
what we mean in this case by "idea." But can we say there are more of
these ideas? A sensible man would go forth and begin counting "ideas"
in public discourse. But I am not a sensible man. I am an
anthropologist. We do things the hard way. In the famous words of
Animal House and Ghost Busters, when the world needs a futile gesture, we're the ones you call. (Note to self: update movie references.)
I think we can know that there
are more ideas without counting them because we know something about
the nature of discourse on the internet. We know that the act of
blogging (to take merely one of the new idea fountains) requires that
the blogger articulate what is probably otherwise inchoate. To commit
something to a blog, we are required to think it through to a new state
of explicitness. Here, before the idea has actually hit the airwaves,
it is more idea-ish than it was before, even it is not quite
sufficiently idea-ish to meet our definition. But it is more explicit
and this invites contestation, which is to say, our clear idea forces
new clarity in the minds of the reader. Acts of contestation, the back
and forth of debate, idea-ates the ideas even more, not just for the
participants but for lookers on.
The world before and after the
internet is a little like America before and after urbanization. If I
am a farmer working the fields, chances are the ideas in my head
inchoate and not very idea-ish. It's only when I sit down to dinner
with my family, or go to the diner in town, that there is even
opportunity for articulation or contestation. And chances are these
domains, family and diner, are filled with people sufficiently like me
that I am rarely required to roll my arguments out in very much
detail. (In the phrase of yesterday's post, for my great great
Scottish grandfather, "ay, football" spoke volumes and may well have
exhausted the conversational work of an evening.)
It is when I move to the city,
and find myself surrounded by lots of strange strangers, that I feel a
new necessity to think out what I believe. And when called upon to
present these ideas to strangers, I am obliged to unearth and to state
the assumptions on which they, the ideas, rest. This rarely happened
in the field or the diner. And unearthing assumptions means that I can
now see what I think in a way I never did before. Now my ideas are
more idea-ish and more likely to become new, different and more ideas
in my head. Once exposed to public scrutiny where they are likely to
renew their generative effects in the heads of other people, as their
responses will in mine.
The internet is a new urbanization. It changes what we think and multiplies the ideas with which we think. Come to that the internet
actually makes for a globalization. Ready access to sites like Wikipedia and
about.com allow us to deepen our understanding
of any one of idea and to cast the net in search of new ideas. Even
as we become ever more urban, I can be more global, traversing
intellectual continents, sailing opinion seas that would otherwise have
taken more substantial investments of time and energy. The internet
makes me a citizen of worlds outside my own, and this too must multiply
the ideas at my disposal. At the very least, it will renew the
urbanization effect by which I am exposed to more difference and
obliged to offer more explicitness. Access to people and difference of
opinion forces me to be more explicit. Access to more intellectual
resources empowers my internal hedgehog to cultivate what I do know and
it empowers my internal fox to find out things I don't know, in both
cases multiplying the ideas I call my own. (Mrs. Burton has cold
compresses for anyone who is suffering the effects of runaway metaphor,
urban hedgehogs and global foxes, and all that.)
This is an unduly complicated
way of making the argument that there are more ideas, and Mrs. Burton
is deeply sorry. But we are now, perhaps, in a position to reflect on
new ideas as a cause of the cloudiness of the contemporary world. More
ideas create more ideas. But more ideas also create new techniques of
idea management. We have to get better at pattern recognition, and
this take ability to jump assumptions with new agility. In a modernist
time, I guess we thought that the intellectual world might look like
Fuller's geodesic dome, ideas fitting together harmoniously, each
bearing the weight of others, a keystone principle used not once, but
over and over again.
But that's not what our
intellectual world looks like at all. It is much more like an great
house from the Elizabethan period, a structure with medieval origins
that has been added to and reworked often since. This metaphor
captures the rambling, run-on quality of our intellectual worlds, but
not the fact that the physics actually changed from wing to wing and
room to room. To entertain some ideas, we must posit one set of
assumptions. But to entertain another set of ideas, we must abandon
the first set and embrace an entirely different set. Simply to think
about Microsoft as a corporate culture I must "configure my head" with
one set of assumptions. To think about Apple, I must use another. And
both of these creatures occupy a world that is constrained by the rules
of commerce. When it comes to cultural creatures, (the music of the
1960s vs. the music of the 1990s, say) the space between assumption sets can be much larger.
But of course there is a
simpler way to make this argument. Forget intellectual adventuring.
Merely to think well about the internet takes a lot of assumption
jumping. Each of the innovations now in place (email, websites, search
engines, social networks, internet appliance, virtual worlds), the
first time we heard of them we were obliged to struggle. What is
this? What do we need to think to grasp it? What assumptions does it
challenge? What new assumptions does it require? How does this new
understanding fit with the other things we think we know? Perhaps it
changes much of what we think we know...if only we could see how.
We have more ideas, with more
space between them, and we cannot accommodate these ideas, let alone
think them, unless we are prepared to treat with, engage in, endure,
and if such a thing is possible, cultivate cloudiness in new ways.
Summing up the last three
posts, then, cloudiness comes from the fact that we now have more
people, more objects, and more ideas. Comes from and responds to. If
cloudiness is the new structure of the contemporary world, it is also
perhaps a good way to respond to same, if only we understood it
better.
References for this post (and the last two)
Anonymous. 2007. China’s GDP grows 10.7 percent in 2006. People’s Daily Online. here.
Berlin, Isaiah. 1953. The Hedgehog and the Fox. Chicago: Ivan R. Dee.
Ehrlich, Paul. 1968. The Population Bomb. here.
Granovetter, Mark. 1973. The Strength of Weak Ties. American Journal of Sociology. Vol. 78. Issue 6. May 1360-80.
Kelly, Kevin. Help Wanted: How many objects. here.
Surowiecki, James. 2004. The Wisdom of Crowds. New York:
Vanderbilt, Tom. 2005. Self-Storage Nation. Americans are storing more stuff than ever. Slate. July 18, 2005. here.
Varadarajan, Tunku. 2007. Anna
Nicole Smith. Wall Street Journal. February 13, 2007. (with a hat tip
to the Arts and Letters Daily here for the find)
Withers, Rachel. 2001. Michael Landy: Break Down. ArtForum. May 2001. see the abstract here.
FedEx package count is here.
The eBay count comes from
adding up the categories on the eBay overview here.
(Thanks to Adam Dresner for the idea. See his comment on Kelly’s post.)
The Wal-Mart sku count is here.
The “grocery store” sku count for 1974 and 1997 is from the 25th Anniversary Review of U.P.C. Impact. All other stats from the very interesting article by Vanderbilt in Slate.

